2 Grand Prize Winners will be selected this year. One by Oscar-winning writer Diana Ossana (Brokeback Mountain) and the other by Matthew Lieberman (Free Guy). Each Grand Prize winner will receive from their respective mentor: a personalized round of notes, virtual meeting, and project development insight.
Signed with agents at APA and managers at Industry Entertainment
"Write what you want to watch. If you’re passionate about it, there’s a good chance others will respond to it as well. If you’re not getting paid to write it, don’t put yourself through the agony of writing what you think the industry wants because the trend you’re chasing will have shifted by the time you finish. Screencraft was the first competition I ever entered and I’ve been drawn to them ever since for their quality notes and range of high-profile competitions. [They] expertly facilitated a meeting with a team of agents and advised me throughout the process. I now have a team of brilliant agents and I couldn’t be happier. In a marketplace saturated with competitions claiming to offer career advancement, Screencraft was the only one that led to tangible success."
Signed with a literary manager at Story Driven
"There will be people who will respond to your voice. Trust your instincts and the people supporting you. ScreenCraft gave thorough and encouraging feedback for my scripts. I've placed highly in other competitions in the past but ScreenCraft was the only one that helped me get representation and guided me through the process of pitching and querying. I also appreciate the community of Finalists that I'm now a part of since I got to meet really cool people and be inspired by their amazing scripts. I just signed with Peter Katz at Story Driven (thank you ScreenCraft and at Coverfly!) so now we are trying to pitch my one hour dramedy, and also trying to get staffing work! "
Signed with literary managers at Circle of Confusion
"Winning ScreenCraft Drama competition has been a significant moment in my career so far. The moment I sat down to write “Borderline” in 2018, it started opening doors for me and turned a few heads. Proves that writing one good script can change everything."
Signed with a Literary Manager at Brillstein Entertainment Partners and repped at Kaplan/Perrone
"It’s been an amazing amount of work happening since I won the Screencraft Drama competition in 2018. The accomplishment I’m most proud of is directing Horror Noire, a documentary focusing on the history of black people within the horror genre from the 1900s to today. I met my agent a year or so ago after winning the Screencraft competition. I’d been on his radar for a good amount of time, but it was a combination of the work I was doing, plus mad love from his assistant that led me to partner with him. My manager has also been keeping up with me for nearly four years before we decided to work together. It’s a marathon, not a race. I’ve learned that building your career can be a slow climb. Unless you’re already rich, have rich parents, or rich connections, the industry is entirely different. Hollywood is not a meritocracy. You need talent (of course), but wealth plus connections can often overshadow this. As a writer and/or filmmaker, you need to be ready for this reality and never allow it to stop you from pushing for your projects and vision."
March 10 | by Ken Miyamoto
What's the difference between drama and melodrama in features and television? This is one of the most highly-debated subjects in screenwriting — drama versus melodrama....
March 26 | by Ken Miyamoto
A trick that we've heard many professional writers using to create meaningful distinctions between characters' voice and underlying motivations is the Enneagram personality framework. The...
March 24 | by Ken Miyamoto
What are some of the best drama screenplays that screenwriters can learn from? Reading how-to books and articles about screenwriting can only take you so...
December 30 | by Ken Miyamoto
What screenwriting lessons can we draw from the words of one today's most celebrated female auteurs — Sofia Coppola? Sofia Coppola — daughter of iconic...
The winners will be chosen based on the following criteria:
In addition to the scoring criteria for the script, ScreenCraft may conduct interviews and send questionnaires to learn more about the entrant, their voice, perspective, and goals to help identify the winning projects. Top scripts are ready by the industry jury who votes for their favorite scripts at their sole discretion.
Criteria for Winners and Finalists:
Early Deadline in 30 days