SCREENPLAY COMPETITION

Kicking open Hollywood's doors for talented action writers with a jury looking for great action & adventure film and television scripts.

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9 DAYS UNTIL Regular DEADLINE

Deadlines

Aug 31

Early

Sep 30

Regular

Oct 31

Final

Announcements

Nov 25

Quarterfinalist

Dec 18

Semifinalist

Jan 13

Finalist

Feb 10

Winner

Since the dawn of Hollywood, action-packed movies and TV series have been the backbone of the entertainment industry. Experiencing heart-pounding action from the safety of a cinema or your living room is an experience we all love. If you’re writing a great action or adventure script, we’d love to read it. This year’s jury is stacked with industry professionals who love action, and who have experience producing some of Hollywood’s best recent film and television content.

JUDGES

Get in front of Hollywood judges who love great action & adventure stories.

Emily Carmichael

Screenwriter and Director (JURASSIC WORLD 3, Sundance, SXSW)

Emily most recently wrote JURASSIC WORLD 3 for Universal and Amblin. Her other credits include PACIFIC RIM: UPRISING and Disney's reboot of the 1979 sci-fi film THE BLACK HOLE. Both a writer and director, her short films have screened at Sundance, Slamdance, SXSW, Tribeca, and numerous other top festivals all around the world.

Joey Dizon

Creative Executive, Agbo Films

Joey Dizon is a Creative Executive at Agbo Films, founded by Joe and Anthony Russo. After working on AVENGERS: AGE OF ULTRON, INFINITY WAR, ENDGAME, etc he joined the Russo Brothers and writers Christopher Markus and Stephen McFeeley at Agbo Films. Joey recently worked on acclaimed horror film, RELIC, and Netflix’s hit action film, EXTRACTION. He is currently developing Disney’s HERCULES, GRIMJACK, and BATTLE OF THE PLANETS among others.

Sandino Moya-Smith

Director of Development, MGM Studios

After working for Gary Ross on all HUNGER GAMES films, Moya-Smith became Director of Development at MGM Studios, the iconic film studio behind such film franchises as JAMES BOND, TOMB RAIDER, G.I. JOE, ROBOCOP, and CREED.

Janet Jeffries

Development & Production Executive, Lawrence Bender Productions

Lawrence Bender Productions is the production company behind global action/adventure blockbusters including INGLORIOUS BASTERDS, HACKSAW RIDGE, the Tom Hardy-starring CAPONE as well as 2019’s GRETA and Martin Scorsese’s SILENCE. Through TV Division Bender/Brown TV they have produced the Netflix series SEVEN SECONDS, FLESH AND BONE on Starz, and ROSWELL, NEW MEXICO on CW.

Jason Lubin

Manager-Producer and Founder, First Story Entertainment

First Story Entertainment represents a diverse roster of writers and directors with fresh voices in all genres. Prior to starting First Story, Jason was Head of Production & Development at Lynda Obst Productions, credits include INTERSTELLAR, CONTACT and TV GOOD GIRLS REVOLT and THE HOT ZONE.

PRIZES

Grand Prize Winner

The overall Grand Prize winner (one-hour, half-hour, or short form) category will be welcomed to the ScreenCraft Development Program and receive personal introductions and phone calls with one or more top Hollywood literary managers who are looking for talented emerging TV screenwriters.

The top 3 winners’ project info and log lines will be circulated and recommended to our network of over 60 Hollywood managers, agents, producers and development executives.

ScreenCraft has a proven track record for getting writers signed with representation, and staffed in writing rooms.

  • Personal Introduction to top literary managers

  • Accepted into the ScreenCraft Development Program

  • $1,000 cash

  • Complimentary Badge for the 2021 ScreenCraft Summit + Travel Stipend

  • License to either of your choice: Final Draft or WriterDuet Pro screenwriting software

Runner-Up Prizes

Feature

$500 cash award

Accepted into ScreenCraft Development Program

50% off 2021 ScreenCraft Summit

Pilot

$500 cash award

Accepted into ScreenCraft Development Program

50% off 2021 ScreenCraft Summit

Short

$500 cash award

50% off 2021 ScreenCraft Summit

Previous Successes

Placing in a ScreenCraft competition can launch your career.

AS FEATURED IN

New Insights with your Entry

Prepare your pitch

By getting a fresh set of eyes on your story, you may get some new ideas for ways to pitch your screenplay.

Get outside of your own head

It's important to understand how somebody else experiences your story on the page.

Get more value

By opting for written feedback, you're guaranteed to get great value from this competition.

Enter with Feedback

Action & Adventure Articles

  • 75 Free Action-Adventure Scripts You Can Download Right Now October 29 by Ken Miyamoto - The best way to write a great action screenplay is to read great action screenplays. As you read more scripts, you'll quickly see that there's no single way to write a screenplay. Yes, there's a general… ...
READ MORE ARTICLES

Rules & Info

  • Rules
  • Eligibility
  • Selection Criteria
  • Additional Legal
  1. Submissions are accepted via electronic submission only, between August 1, 2020 and October 31, 2020.
  2. Entry fee for each submission (whether short, TV pilot or feature film) is $49 until the early deadline on August 31, 2020, then $69 until the regular deadline on September 30, 2020, and then $79 until the final deadline on October 31, 2020.
  3. Optional feedback from a professional reader may be requested at the time of entry. Requests for feedback after an entry is submitted will not be accepted.
  4. Feature film screenplays should be between 75 and 150 pages. TV pilots must be between 25 and 75 pages. Short scripts must be between 1 and 40 pages. Any screenplay submission longer than 120 pages will incur a $1 per page overage fee for each page over 120.
  5. There is no limit to the number of projects you may submit.
  6. Entries must be received on or before the deadline dates by 11:59PM Pacific Time, and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable.
  7. All submitted material must be original, and all rights must be wholly owned by the writer(s).
  8. Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on title page.
  9. If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.
    Substitutions of either corrected pages or new drafts of the entered material will be allowed for free within the first 24 hours, and for a $5 re-entry fee through our submission management platform Coverfly at any time until the finalists are announced. Please proofread your script carefully before submitting.
  10. It is recommended that original material be registered with the WGA or The Library of Congress US Copyright Office before submitting to any competition, however we do not require WGA or Copyright registration.
  11. Contact info may be included on the cover page of the screenplay, however it is not required.
  12. ScreenCraft claims no ownership nor option on your work. All ownership and rights to the scripts submitted to this contest remain with the original rights holder(s).
  1. All writers at least 18 years of age are eligible. However, a writer who has earned more than $50,000 (or equivalent currency) from professional writing services for film or TV in the preceding year is not. (Contest winnings not included.)
  2. All persons from anywhere in the world are eligible; however the material submitted must be in English (occasional dialogue in other languages is acceptable, if subtitle translation is provided).
  3. All material submitted to other competitions or contests are eligible for this contest.
  4. There are no requirements as to when the material was written.
  5. Screenplay and intellectual property must be wholly owned and submitted by the writer(s).
  6. Material should be submitted in standard screenplay format, font, spacing and margin.
  7. We have no preferences regarding title page content. Title and name of writer would suffice.
  8. Entries for this competition are managed on the submission platform Coverfly.
  9. Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
  10. Feature screenplays longer than 150 pages will not be eligible.
  11. All material must be submitted electronically as a PDF or it will not be eligible.

The winners will be chosen based on the following criteria: (i) originality, (ii) uniqueness and personality in voice in storytelling, (iii) characterization, (iv) dialogue, (v) visual storytelling, and (vi)overall professional presentation. The winners and top finalists may be contacted by interested industry representatives, such as managers, agents or producers. Entrants may be required to submit further information to assist in the judges’ verification of eligibility. Any entrant may be deemed ineligible at the sole discretion of ScreenCraft. Finalists may be required to sign and return within seven (7) business days of receipt a notarized Affidavit of Eligibility and a Release and Indemnification and proof of valid passport and any other documents that ScreenCraft or any other partner may require before receiving prize payment. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification. We reserve the right to amend these rules at any time.

  1. COPYRIGHT AND OWNERSHIP: ScreenCraft or any other partner, employee or agent associated with this contest claims no ownership nor first right of option to any original screenplay submitted to this contest. All ownership and rights to the scripts submitted to this contest remains with the original rights holders until and unless other agreements are made.
  2. PUBLICITY: Except where prohibited by law, participation in the contest constitutes each entrant’s consent to ScreenCraft and its agents’ and contest sponsor’s use of entrants’ names, likenesses, photographs, and/or personal information for promotional purposes in any media, worldwide, without further payment or consideration. All uses of an entrants’ information are in accordance with our Privacy Policy.
  3. REFUND POLICY: All entries are non-refundable.
  4. ENTRY CONDITIONS AND RELEASE: BY ENTERING THE CONTEST YOU ACKNOWLEDGE THAT YOU HAVE READ AND AGREE TO THESE CONDITIONS. You agree to release and hold harmless ScreenCraft, ScreenCraft.org, its subsidiary, parent and affiliated companies, Prize contributors, judges, screenplay readers, Sponsors, and any other organizations responsible for administering, advertising or promoting the Contest, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s Entry, participation in the Contest and/or acceptance or use or misuse of Prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the ScreenCraft.org and its Sponsor, agents and employees from and against any and all claims, expenses, and liabilities (including reasonable attorneys fees) relating to an entrant’s participation in the Contest and/or entrant’s use or misuse of Prize. Employees of ScreenCraft and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified. ENTRY TO THIS CONTEST IS VOID WHERE PROHIBITED or restricted by any Federal, State or Local law. Voided entries will be refunded. Recipients’ eligibility will be verified before the grant is awarded and the winner may be required to sign an affidavit of eligibility. By entering the contest, you authorize us to use any trusted third-party online and cloud-based services and databases for hosting, managing and/or transmitting your submission file(s).

Scripts with Adrenaline

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