The New Yorker’s Pulitzer Prize-winning TV critic, Emily Nussbaum, has her own rules about how to engage with different genres of television. She won’t write…
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The ScreenCraft Screenwriting Blog
When I decided to quit my full-time job as a journalist to pursue screenwriting there were certain things I prepared for. I knew I wouldn’t…
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Davia Carter was named a 2018 ScreenCraft Fellowship Winner on the basis of her TV pilot Double Time Dames, a one-hour drama set in the…
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By far the most frequent question I get as a screenwriter is this: How do I get representation? Obtaining a manager or agent is one…
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How can screenwriters tell if supposed Hollywood insiders interested in their scripts are legitimate or not? First and foremost, screenwriters need to know that Hollywood is…
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Listed below are the semifinalists of the 2018 ScreenCraft Cinematic Short Story Competition, selected from roughly 1200 submissions. We’re excited to be exploring these excellent stories…
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How can the best idioms and most common phrases help screenwriters find their next screenplay stories and titles? Movie titles matter. A great title can…
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According to the 2017 Celluloid Report, only 11 percent of the top-grossing 250 films of the year were written by women. That is a horrifying,…
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We thought it would be fun to share some of the many great emails we've received regarding our Screenplay Contests and Consulting Services! (This doesn't…
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As reported in the Hollywood Reporter this past week, the Agency Agreement between agents and the Writers Guild of America (WGA), which represents writers of…
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