More info coming soon
We welcome Screenwriter and Showrunner Erica Lipez and Writer, Director, and Actor Malcolm Mays as the Grand Prize Mentors for this year's competition. Erica and Malcolm will each participate in a mentorship meeting with the Grand Prize Winner.
Erica Lipez is the Showrunner and Executive Producer of WE WERE THE LUCKY ONES for Hulu. Previously, she was an Executive Producer on JULIA for HBO Max and THE MORNING SHOW for Apple. Additional writing credits include BATES MOTEL and SUITS.
Malcolm Mays is recognized for performances in POWER BOOK III: RAISING KANAN (Starz), SNOWFALL (FX), and THEM (Amazon), to which he also contributed as both a writer and story editor. He has also penned scripts for Warner Bros, Amazon and Universal.
2 Grand Prize Winners will be selected this year. One by Oscar-winning writer Diana Ossana (Brokeback Mountain) and the other by Matthew Lieberman (Free Guy). Each Grand Prize winner will receive from their respective mentor: a personalized round of notes, virtual meeting, and project development insight.
More info coming soon
Signed with agents at APA and managers at Industry Entertainment
"Write what you want to watch. If you’re passionate about it, there’s a good chance others will respond to it as well. If you’re not getting paid to write it, don’t put yourself through the agony of writing what you think the industry wants because the trend you’re chasing will have shifted by the time you finish. Screencraft was the first competition I ever entered and I’ve been drawn to them ever since for their quality notes and range of high-profile competitions. [They] expertly facilitated a meeting with a team of agents and advised me throughout the process. I now have a team of brilliant agents and I couldn’t be happier. In a marketplace saturated with competitions claiming to offer career advancement, Screencraft was the only one that led to tangible success."
Signed with a literary manager at Story Driven
"There will be people who will respond to your voice. Trust your instincts and the people supporting you. ScreenCraft gave thorough and encouraging feedback for my scripts. I've placed highly in other competitions in the past but ScreenCraft was the only one that helped me get representation and guided me through the process of pitching and querying. I also appreciate the community of Finalists that I'm now a part of since I got to meet really cool people and be inspired by their amazing scripts. I just signed with Peter Katz at Story Driven (thank you ScreenCraft and at Coverfly!) so now we are trying to pitch my one hour dramedy, and also trying to get staffing work! "
Signed with literary managers at Circle of Confusion
"Winning ScreenCraft Drama competition has been a significant moment in my career so far. The moment I sat down to write “Borderline” in 2018, it started opening doors for me and turned a few heads. Proves that writing one good script can change everything."
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More info coming soon
The reading and judging of the scripts will be based on the following criteria:
In addition to the scoring criteria for the script, ScreenCraft may conduct interviews and send questionnaires to learn more about the entrant, their voice, perspective, and goals to help identify the winning projects. Selected Finalist scripts are read by the industry jury who votes for their favorite scripts at their sole discretion.
ScreenCraft Add-on Prize Selection:
Criteria for Winners and Finalists:
More info coming soon