More info coming soon
We welcome Filmmaker and Writer Joe Robert Cole (BLACK PANTHER, AMERICAN CRIME STORY: THE PEOPLE VS. OJ SIMPSON, BLACK PANTHER: WAKANDA FOREVER) as VIP Mentor for this year's competition. Joe will host an exclusive Q&A conversation with this year's semifinalists.
More info coming soon
Signed with a literary manager
"I write in just about every genre -- some might say too many but they'd be WRONG -- so I love that ScreenCraft’s array of lovely, genre-specific competitions lets you attack the contest circuit with surgical precision. It’s easy to get jaded with screenplay contests – you sorta think, even if you WIN… maybe you walk away with a laurel JPEG (low-resolution) and some vague notion of “heat.” ScreenCraft’s support -- as both a finalist and winner (cue air horn) -- set the absolute standard. From broader industry overviews to hands-on guidance with cover letters and career strategy, ScreenCraft [was] crucial for me in deciding how to leverage interest and success, and signing with my first manager."
Signed with Kersey Management
"I loved the idea of different genre competitions. Comedy sci-fi scripts aren’t up against epic western dramas, giving both genres the chance to shine! We had a strategy meeting and I got some good tips on follow-up with producers and managers. To be honest, the biggest benefit from Screencraft was the feedback on my projects. It was concise, encouraging and so, so helpful. The feedback I got from Screencraft was some of the best I received and instrumental in taking my work to the next level. "
Signed with a literary manager at Citizen Skull and optioned two TV projects to different production companies
"After I’d written and produced my first short film, I had no idea what the next step should be. So I just kept writing - features and a TV pilot - and kind of randomly submitting them to various festivals and competitions haha. The path felt very murky and uncertain, until I was accepted in to the AFI Conservatory for my MFA in Screenwriting. After I’d finished at the AFI Conservatory and was interviewing with managers and sending my projects out to production companies, there was a string of rejections that were hard to digest. I did a lot of research and looking around online to figure out which competitions were worth submitting to - ScreenCraft kept coming up as one of the good ones. I think it’s helped me in two main areas: 1) knowing when a script is ready to show and when it needs work; and 2) external validation and a pat on the back which helps as motivation to keep going!"
Signed with a literary manager
"I've never before had the kind of hands-on coaching that I've received from Screencraft. Multiple people were emailing me, Zooming with me, setting up generals, sending along my script, and helping me pivot and re-strategize when dead ends occurred. I think what sets Screencraft apart is their genuine desire for the long-term professional development of their writers. It's not just introducing a writer to one person, then abandoning them and moving on to the next winner. They stay with you, even years later, to help you succeed. As a result of introductions by Screencraft, I now have an incredible manager, David Binns, of Rascality Entertainment."
Signed with Manager at Zero Gravity Management
"I was really drawn to ScreenCraft specifically because of the genre-specific competitions. So many competitions will categorize your script as either “drama” or “comedy,” and when you have a genre script, it’s easy to get lost in the shuffle. Needless to say, I was thrilled when I realized that ScreenCraft had an Action & Adventure competition. I entered hoping I’d maybe get some recognition, maybe get some contacts. I never expected to win. And when I did, ScreenCraft seriously opened so many doors for me."
Signed with Manager at Zero Gravity Management
"Winning ScreenCraft’s Action/Thriller genre was amazing and set me on a pretty wild ride that led to meetings at Bad Robot and Donner Productions, and gaining a literary manager at Zero Gravity. But the coolest thing was that one of the judges for the contest was Steven De Souza, the writer of DIE HARD. That means he read my work and liked it!! That’s why you enter a contest – Yippy-ki-yay!"
June 13 | by Ken Miyamoto
Do you want to write in the action genre but need help conjuring compelling and action-packed stories and concepts? Sometimes reading simple action writing prompts...
June 6 | by David Young
You already know the name. John Wick is not a man to be trifled with. Of course, there’s a lot that people will say to...
April 11 | by Ken Miyamoto
We're back with another installment of "Defining Character Through Action," where we break down iconic films that use the things characters do to tell us...
October 29 | by Ken Miyamoto
The best way to write a great action screenplay is to read great action screenplays. As you read more scripts, you'll quickly see that there's no...
The reading and judging of the scripts will be based on the following criteria:
In addition to the scoring criteria for the script, ScreenCraft may conduct interviews and send questionnaires to learn more about the entrant, their voice, perspective, and goals to help identify the winning projects. Selected Finalist scripts are read by the industry jury who votes for their favorite scripts at their sole discretion.
ScreenCraft Add-on Prize Selection:
Criteria for Winners and Finalists:
More info coming soon