Dec 31
Early
Jan 31
Regular
Feb 28
Final
Mar 26
Semifinalist
Apr 23
Finalist
May 14
Winner
2 Grand Prize Winners will be selected this year. One by Oscar-winning writer Diana Ossana (Brokeback Mountain) and the other by Matthew Lieberman (Free Guy). Each Grand Prize winner will receive from their respective mentor: a personalized round of notes, virtual meeting, and project development insight.
Staffed on show for FOX
"I love storytelling; it helps me understand the world and myself. The organization genuinely seemed to care about helping emerging writers. I signed with my manager, Marc Manus, who was a judge in my [ScreenCraft Virtual Pitch] competition. I [also] recently was chosen for the Paramount Writers Mentoring Program. I'm so grateful and excited to make new connections and see what opportunities arise. "
Signed with a literary manager
"I was a Finalist in [the Virtual Pitch Competition] that, and a few other contests too. But the Virtual Pitch contest helped hone my elevator pitch to an aerodynamic vessel. I pitched it to my agent about a month after the Finalist round contest (incorporating the feedback they gave me), and it really impressed her. She read my script and signed me about a month after that."
Signed with a literary manager
"Build yourself a supportive community. Writing is mostly a slog: it’s lonely, and frustrating, and the majority of the time you will fail at it. That’s just the nature of writing, and yes we do it because we love it, but it’s still quite difficult. Trying to enter the world of screenwriting as a journalist, I have had a lot of catching up to do and ScreenCraft has tremendously helped with that. From advice on what a query letter should look like to what I should include in my bio, I have found it hugely helpful to have the ScreenCraft team hold my hand through this early stage in my career. They facilitated introductions with development executives, agents, and managers that I would never have been able to secure on my own."
July 22 | by David Young
What's the power in being able to pitch a TV series or feature film effectively? Well, it could mean getting your ideas made rather than...
January 11 | by Neha Dutta
Pitching is a crucial skillset for any screenwriter. A strong pitch is an effective and essential tool for a writer to provide a brief glimpse...
November 20 | by Shanee Edwards
Pitching your screenplay or TV show is an art unto itself. Not only must you know your story inside and out, express big conflict and...
February 10 | by Kyra Jones
Depending on who you ask, pitching is one of the most stressful parts of being a screenwriter. You spend months, sometimes even years of your...
The winners will be chosen based on the following criteria: (i) originality, (ii) uniqueness and personality in voice in storytelling, (iii) characterization and (iv)overall professional presentation. The winners and top finalists may be contacted by interested industry representatives, such as managers, agents or producers. Entrants may be required to submit further information to assist in the judges’ verification of eligibility. Any entrant may be deemed ineligible at the sole discretion of ScreenCraft. Finalists may be required to sign and return within seven (7) business days of receipt a notarized Affidavit of Eligibility and a Release and Indemnification and proof of valid passport and any other documents that ScreenCraft or any other partner may require before receiving prize payment. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification. We reserve the right to amend these rules at any time.
Regular Deadline in 16 days