If it’s not confusing enough as an emerging screenwriter to wrap your head around the basics of traditional storytelling, now, enter the buzzword of “archetypal” storytelling, and you can feel…
The following projects have been shortlisted for the final round of consideration for the Fall 2018 ScreenCraft Film Fund backed by BondIt. Culled from over a thousand applications, the projects…
Listed below are the semifinalists of the 2018 ScreenCraft Family Screenplay competition. These exceptional screenplays were selected from roughly 600 submissions. Congratulations to the writers who have made it this…
The New Yorker’s Pulitzer Prize-winning TV critic, Emily Nussbaum, has her own rules about how to engage with different genres of television. She won’t write about a network sitcom during…
When I decided to quit my full-time job as a journalist to pursue screenwriting there were certain things I prepared for. I knew I wouldn’t have a regular income, I…
Davia Carter was named a 2018 ScreenCraft Fellowship Winner on the basis of her TV pilot Double Time Dames, a one-hour drama set in the jazz age that tells the…
By far the most frequent question I get as a screenwriter is this: How do I get representation? Obtaining a manager or agent is one of the biggest hurdles you’ll…
How can screenwriters tell if supposed Hollywood insiders interested in their scripts are legitimate or not? First and foremost, screenwriters need to know that Hollywood is not looking to rip you…
Listed below are the semifinalists of the 2018 ScreenCraft Cinematic Short Story Competition, selected from roughly 1200 submissions. We’re excited to be exploring these excellent stories and to have received a…
How can the best idioms and most common phrases help screenwriters find their next screenplay stories and titles? Movie titles matter. A great title can sum up the story of…
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