This contest is closed for entries until next year.
Whether you have a romantic comedy or an action-comedy blockbuster, we want to read your script. Big or small, we’re looking for smart feature film screenplays with strong command of the craft, lots of heart and original comedic voices. All entries are eligible for optional feedback from a studio-trained professional reader. Rules and eligibility.
1st Place Feature
- phone consultations with top Hollywood literary managers and agents
- introduction to studio executives and producers
Top 5 finalists
- will receive a page of feedback from one of our 3 industry judges!
Top 20 finalists
- will receive a 1-year subscription to WriterDuet Pro real-time collaborative screenwriting software, courtesy of our sponsor.
The 2015 jury features Hollywood’s hottest comedy executives:
|Manager at Generate (clients include PATTON OSWALT and KYLE KINANE )|
|executive at Smart Girls (production company of AMY POEHLER)|
|Manager at 3 Arts Entertainment, the management company behind such comedy greats as Tina Fey, Amy Poehler, Aziz Ansari, Louis CK, Maya Rudolph, Kevin Hart, Mindy Kaling, George Lopez, Matt LeBlanc, BJ Novak, James Franco, Charlie Day, Ray William Johnson and many more!|
|Independent film producer (Napoleon Dynamite, Beneath, Broken Hill)|
|manager at Kaplan/Perrone|
|staff writer at Nerdist Industries|
Thanks to our official Sponsors:
"Wow. Wide grin on my face while reading these notes! Without a doubt the most intricate, constructive feedback I’ve received thus far. Thanks for taking so much time to detail aspects of concern moving forward."− T.A. Snyder | Screenwriter in Chicago, ScreenCraft Fellowship recipient.
"Thank you for the notes. Matthew’s points are spot on and I am eager to work on it and see what we can do with this script. I found it encouraging! Also, his page specific notes are out of this world and more than a writer can hope for."− Taylor A. | Screenwriter
"Exceptional notes. Thank you for taking the time and dedicating the brainpower. You’ve solidified most every point we’ve been trying to make, and expanded so valuably on ideas that hadn’t occurred to us. I envy your brain."− Sean Covel | Producer (Napoleon Dynamite)
"I highly recommend @screencrafting‘s coverage service, they included details only someone reading closely could’ve picked up…which is rare."− Chris D. | Screenwriter (@cjevy)
"I greatly appreciate your notes on the script. They are the most precise and useful notes I have ever gotten on any script I’ve written. If I proceed no further in the competition, it will have been worth it. Your notes will help me make the script stronger and more succinct."− Jeff B. | Screenwriter in New York
"I just wanted to say thank you! I got the most helpful notes from Mike at Warner Bros. His notes were way above and beyond any other coverage service I’ve ever used."− Silvia K. | Screenwriter in Ontario
"The notes I got from ScreenCraft were supremely well-organized and very specific. They helped make my script better and optimized it for the current market. And their turnaround time was faster than any other company I used. Would definitely recommend them."− David L. | Screenwriter in Los Angeles
"Cameron, thank you for the notes. They are extremely detailed and INCREDIBLY helpful. And they give me a hope that I needed. I look forward to taking what you have given me and molding it into my screenplay so that I can find success and start a new chapter in my life. I am so happy with your notes and your promptness that after I make my revisions I fully intend to come back to you and take the next step in your service and go to a studio."− Taylor A. | Screenwriter in Tennessee
"Many thanks for that feedback. It’s incredibly encouraging to read words like that and leaves me with a lot of ideas on how to improve."− Thomas G. | Screenwriter in the UK
"Cameron, thanks for the notes. I have been absorbing them…your notes really do get to the heart of things."− Robert R. | Screenwriter in Alabama
- Submissions are accepted via electronic submission on this website only, between January 28th, 2015 and April 11th, 2015.
- Entry fee for each screenplay is $29 until the early deadline on February 14th, and then $49 until final deadline on April 11th.
- There is no limit to the number of projects you may submit.
- Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable
- All submitted material must be original, and all rights must be wholly owned by the writer(s).
- Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on title page.
- If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.
- Substitutions of either corrected pages or new drafts of the entered material are not allowed. Please proofread your script very carefully before submitting.
- It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.
- All ownership and rights to the scripts submitted to this contest remains with the original rights holders.
- All writers at least 18 years of age are eligible. However, a writer who has earned more than $50,000 (or equivalent currency) from professional writing services for film or TV in the preceding year is not. (Contest winnings not included.)
- All persons from anywhere in the world are eligible; however the material submitted must be in English.
- All material submitted to other competitions or contests are eligible.
- There are no requirements as to when the material was written.
- The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition.
- Any submitted work that becomes optioned, published, produced or purchased between the time of submission and the end of the judging period will no longer be eligible.
- Material should be submitted in standard screenplay format, font, spacing and margin.
- Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
- Feature screenplays longer than 140 pages will not be eligible.
- All material must be submitted electronically as a PDF or it will not be eligible.
The judging panel, selected by ScreenCraft or its representatives in its sole discretion, will include one screenplay development professional from each of these studios and production companies listed on this year’s jury, however these studios and companies are in no way official sponsors or endorsers of this contest. The top finalists will be chosen based on the following criteria: (i) originality; (ii) story; (iii) characterization; (iv) visual inventiveness; and (v) overall impression. The top 10 finalists will be notified by email and may be contacted by interested industry representatives, such as managers, agents or producers. Entrants may be required to submit further information to assist in the judges’ verification of eligibility. Any entrant may be deemed ineligible at the sole discretion of ScreenCraft. The selected winner(s) will be notified by e-mail on or about May 15th, 2015. Finalists may be required to sign and return within seven (7) business days of receipt a notarized Affidavit of Eligibility and a Release and Indemnification and any other documents that ScreenCraft or any other partner may require before receiving prize payment. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification. We reserve the right to amend these rules at any time.
COPYRIGHT AND OWNERSHIP
ScreenCraft or any other partner, employee or agent associated with this contest claims no ownership nor first right of option to any original screenplay submitted to this contest. All ownership and rights to the scripts submitted to this contest remains with the original rights holders until and unless other agreements are made.
All entries are non-refundable.
ENTRY CONDITIONS AND RELEASE
BY ENTERING THE CONTEST YOU ACKNOWLEDGE THAT YOU HAVE READ AND AGREE TO THESE CONDITIONS. You agree to release and hold harmless ScreenCraft LLC, ScreenCraft.org, its subsidiary, parent and affiliated companies, Prize contributors, judges, screenplay readers, Sponsors, and any other organizations responsible for administering, advertising or promoting the Contest, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s Entry, participation in the Contest and/or acceptance or use or misuse of Prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the ScreenCraft.org and its Sponsor, agents and employees from and against any and all claims, expenses, and liabilities (including reasonable attorneys fees) relating to an entrant’s participation in the Contest and/or entrant’s use or misuse of Prize. Employees of ScreenCraft and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified. ENTRY TO THIS CONTEST IS VOID WHERE PROHIBITED or restricted by any Federal, State or Local law. Voided entries will be refunded. Recipients’ eligibility will be verified before the grant is awarded and the winner may be required to sign an affidavit of eligibility.