
Seeing your screenplay produced is the ultimate goal for every screenwriter. It's one thing to win a contest, get representation, sign that first option contract,...
Seeing your screenplay produced is the ultimate goal for every screenwriter. It's one thing to win a contest, get representation, sign that first option contract,...
The most common issue that most script readers have with the dozens of screenplays they read and reject every week is lack of stakes. If...
Screenwriting isn't just an art. Screenwriters don't write screenplays to directly publish them or put them on display — you write them to be made...
How do you capture the attention and enthusiasm of the producer, development executive, manager, agent, or script reader from page one? That's usually what it...
What are the best screenwriting books on the market, why are they the best, and what specific knowledge and experience can screenwriters take away from...
Jeff Goldsmith sat down with writer and director James Mangold (Copland, 3:10 to Yuma, Walk the Line, Logan) for an amazing ScreenCraft sponsored Q/A session. They...
You have a great story, great characters, and know everything there is to know about formatting a feature-length screenplay. But the only problem is —...
What is the most simple and easy way to pitch something to representation, executives, publishers, and production companies through email? We're about to offer you...
You often hear great advice from some of Hollywood's best and most successful screenwriters — but what about those that come from the indie market?...
Imagine if screenwriters could get an early peek into the perspective of Hollywood gatekeepers — what they love, what they hate, and what they look...