ScreenCraft recently published my blog on agents. As a former client of CAA, Gersh and others, I’ve been particularly well-positioned to write about this aspect...
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Not all agents are created equal. That’s the first thing you need to know if you’re reading an article on agents from me. In my...
When I decided to quit my full-time job as a journalist to pursue screenwriting there were certain things I prepared for. I knew I wouldn’t...
By far the most frequent question I get as a screenwriter is this: How do I get representation? Obtaining a manager or agent is one...
According to the 2017 Celluloid Report, only 11 percent of the top-grossing 250 films of the year were written by women. That is a horrifying,...
Pitching a film or television series to an executive or producer can be terrifying, but it doesn’t have to be. Here’s the secret: Most executives...
Over a period of three months, I took about fifty, maybe sixty, general meetings. Last December, a script I wrote landed on The Black List,...
Below is a guest post by screenwriter Anna Klassen. After winning the ScreenCraft Screenwriting Fellowship, Anna went on to sign with a manager and get...
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