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As part of our ongoing Letters from Past ScreenCraft Winners series, our 2017 winner Anna Klassen shares some thoughts on her experience. Hi there, My name is...
As part of our ongoing Letters from Past ScreenCraft Winners series, our 2017 winner Anna Klassen shares some thoughts on her experience. Hi there, My name is...
When I decided to quit my full-time job as a journalist to pursue screenwriting there were certain things I prepared for. I knew I wouldn’t...
By far the most frequent question I get as a screenwriter is this: How do I get representation? Obtaining a manager or agent is one...
According to the 2017 Celluloid Report, only 11 percent of the top-grossing 250 films of the year were written by women. That is a horrifying,...
Pitching a film or television series to an executive or producer can be terrifying, but it doesn’t have to be. Here’s the secret: Most executives...
Over a period of three months, I took about fifty, maybe sixty, general meetings. Last December, a script I wrote landed on The Black List,...
Below is a guest post by screenwriter Anna Klassen. After winning the ScreenCraft Screenwriting Fellowship, Anna went on to sign with a manager and get...
Dana Calvo has been a writer in Hollywood for the past dozen years. After transitioning from her role as a full-time journalist, Calvo went on...
It is seemingly impossible to break into the world of screenwriting. As Big Fish screenwriter John August once said on his podcast, Scriptnotes, “It is...