Stage has offered some of the greatest films adapted to screen. ScreenCraft’s Stage Play Competition is a great opportunity to have your work considered by influential writers and industry professionals. Drawing on a long history of playwrights transitioning to screenwriting, this competition seeks to celebrate excellent plays that have great film or TV adaptation potential.
ScreenCraft’s past winners have gone on to sell their scripts to major studios and have been hired by companies like Universal, Netflix, Amazon, Millennium, CBS and many more. ScreenCraft’s winners are also highly sought after by literary managers and agents who are open to signing to new writer clients. Over 100 ScreenCraft writers have signed with top management companies and agencies like 3 Arts, Anonymous Content, CAA, WME, UTA, Paradigm, Lit Entertainment, and many more.
With his award of the 2003 Pulitzer Prize for Drama for his play ANNA IN THE TROPICS, Nilo became the first Latino so honored. The work also garnered the Steinberg Award for Best New Play. A year later it received its Broadway premiere with Jimmy Smits in the lead role. Cruz is an alumnus of New Dramatists and has taught playwriting at Brown University, the University of Iowa and at Yale University.
Stephen Adly Guirgis
An American playwright, screenwriter, director, and actor. He is a member and a former co-artistic director of New York City’s LAByrinth Theater Company. His plays have been produced both Off-Broadway and on Broadway as well as in the UK. His play Between Riverside and Crazy won the 2015 Pulitzer Prize for Drama. Guirgis also had a small role as an actor in Charlie Kaufman’s film Synecdoche, New York.
The current Artistic Director of the prestigious Theater Under the Stars in Houston, TX. His Broadway credits include Lysistrata Jones, Xanadu, Sondheim on Sondheim, 110 in The Shade, and The 25th Annual Putnum County Spelling Bee directed by James Lapine.
Barry Edelstein is a stage director, producer, author, and educator and currently the Artistic Director of The Old Globe Theater in San Diego. He is widely recognized as one of the leading American authorities on the works of Shakespeare, having directed nearly half of the Bard’s plays including Othello starring Blair Underwood, Julius Caesar starring Jeffrey Wright, and The Merchant of Venice featuring Rob Leibman’s Award-winning portrayal of Shylock.
Stefanie Black is an actor, writer, and director, and is a graduate of NYU’s Tisch School of the Arts, Playwrights Horizons Theater School, an alumna of The Williamstown Theater Festival and American Conservatory Theater (ACT). She is a founding member and Co-Artistic Director of the Ovation Award Winning, IAMA Theatre Company, who will be sponsoring the workshop and production of the winning play.
Grand Prize Winner
The grand prize winner will be welcomed to the ScreenCraft Development Program and receive personal introductions and phone calls with one or more top Hollywood literary managers who are looking for talented emerging writers.
The winning play will receive a workshop and performance in partnership with IAMA Theatre. IAMA Theatre Company: Now in its 13th season, IAMA is an ovation award winning Los Angeles-based ensemble of artists committed to invigorating live performance for a streaming generation.
Through cutting-edge, cool, and hyper-modern stories, IAMA is invested in the immediacy of production and strives to bring audiences out of their personal space and into a shared experience. In addition to the world premieres of all 7 of Leslye Headland’s “The Seven Deadly Plays,” IAMA has produced over 15 premiere plays, garnering multiple awards and nominations, including; FOUND: A New Musical, Shiner, A Dog’s House, Do Like The Kids Do, Mama Metal, Canyon, The Recommendation, Sixty Miles To Silverlake, Redline, Sinner’s Laundry, Species Native to California, American Hero, Unbound, and A Kid Like Jake.
Both the winner and runner-up will have their material circulated to ScreenCraft’s network of over 60 literary managers, agents, producers, creative executives, and other industry professionals. ScreenCraft has a proven track record for getting writers signed with representation, and staffed in writing rooms.
Script workshop and performance in partnership with IAMA Theatre
Accepted into the ScreenCraft Writer Development Program
Introductions to top literary managers
Signed with Manager & Agent
2018 ScreenCraft Comedy Runner-Up, Shiwani Srivastava, signed with literary manager Nicholas Bogner of Affirmative Entertainment and Paradigm Talent Agency after ScreenCraft introduced them.
Film released on Shudder
Xavier won the 2018 ScreenCraft Drama Screenplay Competition and has since taken meetings at Blumhouse, Netflix and with independent producers who are interested in his script. Additionally, Xavier was hired to direct a documentary feature Horror Noire: A History of Black Horror which premiered on Shudder on February 7th, 2019. He is repped by manager Hannah Ozer at Kaplan/Perrone.
Adapting play under HBO mentor Signed with 3 Arts
Joanna Pickering placed in the ScreenCraft Cinematic Stage Play Competition, and signed with 3 Arts Entertainment. She was recently awarded a scholarship to adapt her play to screen with support from HBO’s Vice President of talent development assigned as a mentor for the project.
"My play is in development. I am gearing up to start my collaborations with 3 Arts. I am headed to LA as a Robert Mckee screenwriting fellow. I am also on an intensive directing course granted to me by TV director Rachel Feldman (Blue Bloods). Rachel is a true force. Meryl Streep is backing her latest movie on Lily Ledbetter. She’s also a past ScreenCraft TV pilot finalist-see, we all love ScreenCraft!"
Signed with Manager
Ian won the 2018 ScreenCraft Comedy Screenplay Competition and went on to be invited to Coverfly‘s Rep Week program which introduced him to literary manager Adrian Garcia, with whom he signed.
Luke Schreiber & Emily Winter
Signed with Manager
2018 ScreenCraft Screenwriting Fellowship Finalists, Luke Schreiber & Emily Winter, signed with Mike Sword of Sword Entertainment!
"After placing as ScreenCraft finalists, the encouragement and belief made a huge impact in taking the next step in our careers. They were huge fans of us and our projects. We would always say– we might be crazy but then ScreenCraft is crazy too."
Signed with WME
Doug Williams was the runner-up to the inaugural ScreenCraft Stage Play Competition in 2018 for his play Ship. Doug has since signed with an agent at William Morris Endeavor, whom he met through the competition.
"It was an honor all its own to be named runner-up for their new stage play contest, but the way they went to bat for me and championed my work following the contest was incredible. ScreenCraft got my play in front of some of my writing heroes who were judges for the contest, and just a few months later I’d signed with my agent at WME. Prior to ScreenCraft, I honestly had no idea how to even approach an agent."
As Featured in
Rules & Info
- Selection Criteria
- Additional Legal
- Submissions are accepted via electronic submission only, between June 1, 2021 and August 31, 2021.
- Entry fee for each screenplay is $49.50 until the early deadline on June 30, 2021, then $69.50 until the regular deadline on July 31, 2021, then $79.50 until the final deadline on August 31, 2021.
- Plays must be a minimum of 10 pages and a maximum of 150 pages. Any play script submission longer than 120 pages will incur a $1 per page overage fee for each page over 120.
- Optional feedback from a professional reader may be requested at the time of entry. Requests for feedback after an entry is submitted will not be accepted.
- Feature screenplays must be a minimum of 75 pages and a maximum of 150 pages. Short screenplays must be between 7 and 35 pages. TV pilots must be between 25 and 75 pages. Any submission longer than 120 pages will incur a $1 per page overage fee for each page over 120.
- There is no limit to the number of projects you may submit.
- Entries must be received on or before the deadline dates by 11:59PM Pacific Time, and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable.
- All submitted material must be original, and all rights must be wholly owned by the writer(s).
- Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on the title page.
- If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.
- Substitutions of either corrected pages or new drafts of the entered material will be allowed for a limited time with a $5 reentry fee through Coverfly. Please proofread your script carefully before submitting.
- It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.
- Contact info may be included on the cover page of the screenplay, however it is not required.
- ScreenCraft claims no ownership nor option on your work. All ownership and rights to the scripts submitted to this contest remains with the original rights holders.
We want to set you up for success, and here are a few basic screenplay etiquettes that will help your screenplay.
- All writers at least 18 years of age are eligible. However, a writer who has earned more than $50,000 (or equivalent currency) from professional writing services for film or TV in the preceding year is not. (Contest winnings not included.)
- All persons from anywhere in the world are eligible; however the material submitted must be in English (occasional dialogue in other languages is acceptable, if subtitle translation is provided).
- All material submitted to other competitions or contests are eligible for this contest.
- There are no requirements as to when the material was written.
- Screenplay and intellectual property must be wholly owned and submitted by the writer(s).
- Material should be submitted in standard screenplay format, font, spacing and margin.
- We have no preferences regarding title page content. Title and name of writer would suffice.
- Entries for this competition are managed on the submission platform Coverfly.
- Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
- Feature screenplays longer than 150 pages will not be eligible.
- All material must be submitted electronically as a PDF or it will not be eligible.
- Entries for this competition are managed on the submission platform Coverfly.
The winners will be chosen based on the following criteria:
- Genre Conventions
Criteria for Winners and Finalists:
- The winners and top finalists may be contacted by interested industry representatives, such as managers, agents or producers.
- Entrants may be required to submit further information to assist in the judges’ verification of eligibility.
- Any entrant may be deemed ineligible as a Finalist or Winner at the sole discretion of ScreenCraft.
- Finalists may be required to sign and return within seven (7) business days of receipt a notarized Affidavit of Eligibility and a Release and Indemnification and proof of valid passport and any other documents that ScreenCraft or any other partner may require before receiving prize payment. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification.
- We reserve the right to amend these rules at any time.
- COPYRIGHT AND OWNERSHIP: ScreenCraft or any other partner, employee or agent associated with this contest claims no ownership nor first right of option to any original screenplay submitted to this contest. All ownership and rights to the scripts submitted to this contest remains with the original rights holders until and unless other agreements are made.
- REFUND POLICY: All entries are non-refundable.
- ENTRY CONDITIONS AND RELEASE: BY ENTERING THE CONTEST YOU ACKNOWLEDGE THAT YOU HAVE READ AND AGREE TO THESE CONDITIONS. You agree to release and hold harmless ScreenCraft, ScreenCraft.org, its subsidiary, parent and affiliated companies, Prize contributors, judges, screenplay readers, Sponsors, and any other organizations responsible for administering, advertising or promoting the Contest, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s Entry, participation in the Contest and/or acceptance or use or misuse of Prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the ScreenCraft.org and its Sponsor, agents and employees from and against any and all claims, expenses, and liabilities (including reasonable attorneys fees) relating to an entrant’s participation in the Contest and/or entrant’s use or misuse of Prize. Employees of ScreenCraft and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified. ENTRY TO THIS CONTEST IS VOID WHERE PROHIBITED or restricted by any Federal, State or Local law. Voided entries will be refunded. Recipients’ eligibility will be verified before the grant is awarded and the winner may be required to sign an affidavit of eligibility. By entering the contest, you authorize us to use any trusted third-party online and cloud-based services and databases for hosting, managing and/or transmitting your submission file(s).