Regular deadline: December 30 | Late deadline: January 15

“Aspiring screenwriters, take note.” – The Hollywood Reporter

The chosen recipients will receive ongoing professional support and a special trip to Los Angeles for meetings and introductions to key entertainment executives, producers and representatives. To apply, simply submit your feature film script or original television pilot script on this application page. Apply now and join a growing community of visionary screenwriters with meaningful connections to Hollywood mentors.

Past ScreenCraft Fellowship winners have optioned their projects and signed with top representatives at 3Arts, Anonymous Content, Paradigm Talent Agency, ICM, Bellevue Productions and more.


Geoffrey Fletcher:

Academy Award-winning screenwriter of Precious and Violet & Daisy

Diana Ossana:

Academy Award-winning screenwriter of Brokeback Mountain

Robert Moresco:

Academy Award-winning screenwriter of Crash and producer of Million Dollar Baby

Lawrence Grey:

film producer with two recent seven-figure spec script sales to his credit!

Ari Lubet:

literary manager at 3Arts Entertainment, the company behind such TV shows as Orange is the New Black, Parks and Recreation, Louie, The Mindy Project, Silicon Valley — and many more!

Our award-winning jury’s accolades include Oscars, BAFTAS, WGA Awards, Golden Globes and more!

Robert McKee is sponsoring the ScreenCraft Fellowship experience with his acclaimed STORY seminar!

Robert McKee occupies a unique position in modern storytelling. His teachings have spread beyond the screen to influence all media. Marketing professionals and business leaders from all over the world read McKee’s works and attend his packed international seminars for an exclusive deep dive into the narrative potential of their company’s content.

Director Peter Jackson calls McKee the “guru of gurus.” A Fulbright Scholar, McKee has won the BAFTA Award for his television series, the Cine Eagle for his filmmaking, as well as the International Moving Image Book Award for his international bestseller, STORY. He has coached over 60 Academy Award winners and 170 Emmy Award winners. At Pixar, McKee’s teachings are “The Law of the Land.” Over 100,000 writers have attended his seminars.


Up To Four (4) Winners Will Receive:



  • A $1000 Writing Grant

LA Airfare and Lodging

  • Round-trip airfare to Los Angeles*
  • Two-night stay in the historic Culver Hotel, host to Hollywood legends from Judy Garland to Frank Sinatra!

1-on-1 Consultation

  • Three months of one-on-one consultation and creative development with the ScreenCraft team and network of entertainment industry mentors.

Hollywood Meetings

  • Meetings with literary agents from top agencies (WME, CAA, UTA, ICM, Paradigm).
  • Mentor dinner with our jury including Academy Award-winning screenwriters.
  • Lunch meeting with Michael Colleary, UCLA screenwriting professor and writer of such blockbusters as Face/Off and Lara Croft: Tomb Raider.

Sponsor Prizes

  • Complimentary passes to Robert McKee’s legendary STORY seminar in either LA, NYC or London
  • Complimentary screenwriting software courtesy of Final Draft

*Round trip flight is covered up to $700. In the event that the winner is local to southern California, winner will receive a $500 travel stipend. In the event that the winner cannot or does not wish to travel, the meetings and consultations will be coordinated via phone and/or Skype. The trip will be sometime in early to mid April 2016. All travel details will be coordinated with the fellowship recipients’ schedules, as much as is reasonably possible.

ScreenCraft Fellows are accepted into the program to develop the specific feature or TV script with which they apply, but the Fellowship is designed to allow for development of additional projects as well.

Applications will be evaluated based on overall craft, including story, voice, originality, characterization, structure and dialogue. The judging panel, selected by ScreenCraft, will include consultants and development executives from Warner Bros, Lionsgate and Paramount.

Thanks To Our Presenting Sponsor


Final Draft automatically paginates and formats your script to industry standards, allowing writers to focus on what they do best – writing scripts. Used by such industry giants as J.J. Abrams, James Cameron and Aaron Sorkin, Final Draft software is the professional’s choice and the entertainment industry standard. Final Draft also offers the Reader® and Writer® apps for iPhone and iPad, making creativity truly portable. To learn more about Final Draft, Inc. and its products and services, click here.


"Wow. Wide grin on my face while reading these notes! Without a doubt the most intricate, constructive feedback I’ve received thus far. Thanks for taking so much time to detail aspects of concern moving forward."

− T.A. Snyder | Screenwriter in Chicago, ScreenCraft Fellowship recipient.

"Thank you for the notes. Matthew’s points are spot on and I am eager to work on it and see what we can do with this script. I found it encouraging! Also, his page specific notes are out of this world and more than a writer can hope for."

− Taylor A. | Screenwriter

"Exceptional notes. Thank you for taking the time and dedicating the brainpower. You’ve solidified most every point we’ve been trying to make, and expanded so valuably on ideas that hadn’t occurred to us. I envy your brain."

− Sean Covel | Producer (Napoleon Dynamite)

"I highly recommend @screencrafting‘s coverage service, they included details only someone reading closely could’ve picked up…which is rare."

− Chris D. | Screenwriter (@cjevy)

"I greatly appreciate your notes on the script. They are the most precise and useful notes I have ever gotten on any script I’ve written. If I proceed no further in the competition, it will have been worth it. Your notes will help me make the script stronger and more succinct."

− Jeff B. | Screenwriter in New York

"I just wanted to say thank you! I got the most helpful notes from Mike at Warner Bros. His notes were way above and beyond any other coverage service I’ve ever used."

− Silvia K. | Screenwriter in Ontario

"The notes I got from ScreenCraft were supremely well-organized and very specific. They helped make my script better and optimized it for the current market. And their turnaround time was faster than any other company I used. Would definitely recommend them."

− David L. | Screenwriter in Los Angeles

"Cameron, thank you for the notes. They are extremely detailed and INCREDIBLY helpful. And they give me a hope that I needed. I look forward to taking what you have given me and molding it into my screenplay so that I can find success and start a new chapter in my life. I am so happy with your notes and your promptness that after I make my revisions I fully intend to come back to you and take the next step in your service and go to a studio."

− Taylor A. | Screenwriter in Tennessee

"Many thanks for that feedback. It’s incredibly encouraging to read words like that and leaves me with a lot of ideas on how to improve."

− Thomas G. | Screenwriter in the UK

"Cameron, thanks for the notes. I have been absorbing them…your notes really do get to the heart of things."

− Robert R. | Screenwriter in Alabama

Submit Your Screenplay Here:

  • Write a brief description or logline that summarizes your screenplay. 1,000 characters maximum.
  • Accepted file types: pdf, doc, docx, txt.
    All applicants are invited to submit an optional cover letter to express their creative vision and share background information.
  • Accepted file types: pdf.
    Screenplay must be in PDF format with a maximum file size of 5MB.
    Feature film screenplays must be less than 140 pages. TV pilot entries must be less than 70 pages. You have the option to receive a page of discounted professional feedback on your screenplay. We HIGHLY RECOMMEND professional feedback if you want to get notes on your screenplay from one of our studio-trained industry readers. Our feedback is consistently regarded as the best in the industry. This option in no way affects your chances of placing, as our feedback readers are separate from our panel of Fellowship judges.
  • Lucky enough to have a code? Enter it here.
  • $0.00
  • American Express


  • Applicants anywhere in the world are eligible; however the material submitted must be in English.
  • Early applications are due by November 1, 2015 with entry fee of $39. Regular entries are due by December 30, 2015, with regular application fee of $59. Late entries must be received before the final deadline on January 15th (at 11:59PM Pacific Time) with application fee of $69. The application fee must be paid in full at the time of the application submission. The application fee is non-refundable.
  • Applicants must be at least 18 years of age.
  • There is no application fee waiver for re-entry of new drafts or corrections (so double-check your script carefully before submitting) A new draft may be submitted as a separate application, to be evaluated separately on its own merits.
  • All submitted material must be original, and all rights must be wholly owned by the writer(s).
  • Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). In the case that a writing team is chosen, all writing team members are eligible for the Fellowship.
  • It is strongly recommended that material be registered with the WGA and/or the U.S. Copyright Office.
  • Writers who have earned more than $20,000 (or equivalent currency) from professional writing services for film or TV in the preceding year are not applicable.
  • There is no limit to the number of projects you may submit. If you want to submit multiple projects, they must be submitted separately with separate entry fees.
  • Applicants are not required to live in or relocate to Los Angeles but must be readily accessible via phone, email and Skype for meetings at the conclusion of the Fellowship.
  • Any submitted work that becomes optioned, published, produced or purchased between the time of submission and the end of the evaluation period will no longer be eligible.
  • Material should be submitted in industry-standard format, font, spacing and margins.
  • Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
  • Feature Screenplays must be no longer than 140 pages, Drama Television Pilots no longer than 70 pages and Comedy Television Pilots no longer than 40 pages (or 70 pages double-spaced sitcom pilots).
  • All material must be submitted in PDF format or it will not be eligible.
  • The top finalists will be notified and invited to join a phone interview for the final selection process.

Between 2 and 4 recipients will be awarded (at the sole discretion of ScreenCraft and jury). The selected Fellowship recipients will be notified by e-mail on or about March 1st, 2016. Finalists may be required to submit additional material and sign and return within five (5) business days of receipt a notarized Affidavit of Eligibility and a Release and any other documents that ScreenCraft or any other partner may require before receiving the award. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification. ScreenCraft reserves the right to amend these rules at any time. Entrants may be required to submit further information to assist in the judges’ verification of eligibility. Any entrant may be deemed ineligible at the sole discretion of ScreenCraft.


ScreenCraft or any other partner, employee or agent associated with this Fellowship claims no ownership nor first right of option to any original screenplay submitted to this Fellowship. All ownership and rights to the scripts submitted to this Fellowship remains with the original rights holders until and unless other agreements are made.


Except where prohibited by law, participation in the Fellowship constitutes each entrant’s consent to ScreenCraft and its agents’ and Fellowship sponsor’s use of entrants’ names, likenesses, photographs, and/or personal information for promotional purposes in any media, worldwide, without further payment or consideration. All uses of a entrants’ information are in accordance with our Privacy Policy.


All entries are non-refundable.


BY ENTERING THE CONTEST YOU ACKNOWLEDGE THAT YOU HAVE READ AND AGREE TO THESE CONDITIONS. You agree to release and hold harmless ScreenCraft LLC,, its subsidiary, parent and affiliated companies, Prize contributors, judges, screenplay readers, Sponsors, and any other organizations responsible for administering, advertising or promoting the Contest, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s Entry, participation in the Contest and/or acceptance or use or misuse of Prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the and its Sponsor, agents and employees from and against any and all claims, expenses, and liabilities (including reasonable attorneys fees) relating to an entrant’s participation in the Contest and/or entrant’s use or misuse of Prize. Employees of ScreenCraft and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified. ENTRY TO THIS CONTEST IS VOID WHERE PROHIBITED or restricted by any Federal, State or Local law. Voided entries will be refunded. Recipients’ eligibility will be verified before the grant is awarded and the winner may be required to sign an affidavit of eligibility.